Fela Kuti’s music cannot be detached from the statements it makes for freedom and African tradition and culture, belonging to Pan Africanist ideology. So the socio-political implications of the songs are essential to understanding his music and the context that led to its creation. Lemi remembers: ‘ at the end of the 60’s the Black Panther movement was very prominent. That marked my generation‘. There was a struggle for human rights, ethnic equality, eradication of black people’s oppression and institutional abuse, especially directed towards the justice and police forces.
Lemi already shared the Pan Africanist thoughts of people unity through African heritage, influenced by Kwame Nkrumah, Malcom X and Marcus Gravey, so he was familiar with Fela’s ideas and found it easy to design the covers.
‘I always try to understand their modus operandi in order to arrive an accurate concept. For instance 99% of Fela’s covers were done by me… because I understand his thinking’ comments Lemi on his approach to illustrating an album.
He was inspired by Fela’s music, being fascinated by the chaotic, explosive and funny side of it, taking the song’s lyrics as his guide to create the sleeves. However, this does not mean that his illustrations are mere depictions of the lyrics’ narrative, rather, Lemi classfies as an interpretative artist.
Each album jacket participates in a combat, since Lemi describes the artistic goal as:
‘ We have a lot of work to accomplish in order to re-educate Africans. Colonialism and Neo-Colonialism have so profoundly affected the intellect of the continent ‘